H A N N A H    P E T K A U

postcards from isolation

The Islands

Foyer Gallery,  Eugene, OR, USA, March 9 – March 13, 2020

Lick of Paradise

LaVerne Krause Gallery, Eugene, OR, USA, February 3 – February 7, 2020

Under Our Moon Future Ascensions

ANTI-AESTHETIC, Eugene Contemporary Art, Eugene, OR, USA, December 14 – February 15 2020

Group Exhibition Review

recent drawings

Eugene, Oregon, Fall 2019

P O O L I N G

Old SchoolHouse Gallery, Cortes Island, BC  July 26 – August 4, 2019

emergence

Estudio Nómada, Barcelona, Spain, March 14 – April 4 2019

ebb and flow

Untitled Arts Society (Cellar Gallery), Calgary, Alberta, November 9 - December 22 2018

between-ness

AFA Travelling Exhibition Program (TREX), Medicine Hat, Alberta, 2018- 2021

Objects of Ambition

The Goat Shop, Calgary, Alberta, February 20 - May 18 2018

remnants

Marina & Cortes Island, British Columbia, 2017-2018

ambiguous implements - in nature

photo credit : Sebastian Jarmula

ambiguous implements

Ambiguous Implements is a collection of assemblages uncertain of their origin or intention. Manipulated by the artist’s hands and previous unknowns, the materials exist between a state of making and being made. Assembled together they become artifacts of the blurred differentiation between human and natural actions.

Old Schoolhouse Gallery, Cortes Island, British Columbia, August 5 - 14, 2016

ambiguous implements

Marion Nicoll Gallery Main Space, Calgary, Alberta, September 14 - 25, 2015

Catching the Ephemeral

Catching the Ephemeral is an assemblage of that which is not static or solitary. It is a manipulation of the artist’s hands and previous unknowns, blurring the differentiation between human and natural actions. There is an intentional ambiguity to the origin of the materials and their current state of being, suspicious of the beauty and value that is implied through interactions.

Stride Gallery +15  Space, Calgary, Alberta, August - September, 2015